HIST 8A, Survey of World Civilizations I: From the Dawn of Humankind to the 1300s: New Library Books

Gladius delivers a stunning ground-level recreation of what it was like to be a soldier in the fighting force that made the Roman Empire. The Roman army was the greatest fighting machine in the ancient world. More than that, it was the single largest organization in Western antiquity, taking in members from all classes, from senators to freed slaves. The Roman Empire depended on its army not just to win its wars, defend its frontiers, and control the seas, but to act as the very engine of the state. In Gladius, Guy de la Bédoyère takes us straight to the heart of what it meant to be a part of the Roman army. Rather than a history of the army itself, or a guide to military organization and fighting methods, this book is a ground-level recreation of what it was like to be a soldier in the army that made the empire. Surveying numerous aspects of life in the Roman army between 264 BCE and 337 CE, Gladius--the Latin word for sword--draws not only on the words of famed Roman historians, but also those of the soldiers themselves, as recorded in their religious dedications, tombstones, and even private letters and graffiti. Gladius reveals the everyday life of these soldiers and their families, whether stationed in a bleak frontier garrison in Britain or North Africa, tasked with guarding the emperor in Rome, fighting on foreign battlefields, mutinying over pay, marching in triumph, throwing their weight around on city streets, or enjoying esteem in honorable retirement. By illuminating the history of one organization that reflected all corners of the Roman world, Gladius gives us a portrait of an ancient society that is unprecedented in both its broad sweep and gritty intimacy.

Featuring a renowned author team and the best recent scholarship, World in the Making: A Global History explores both the global and local dimensions of world history. Abundant full-color maps and images, along with other special pedagogical features that highlight the lives and voices of the world's peoples, make this synthesis accessible and memorable for students.

A compelling, authoritative account of the brilliant, conflicted, visionary world of Tudor England When Henry VII landed in a secluded bay in a far corner of Wales, it seemed inconceivable that this outsider could ever be king of England. Yet he and his descendants became some of England's most unforgettable rulers, and gave their name to an age. The story of the Tudor monarchs is as astounding as it was unexpected, but it was not the only one unfolding between 1485 and 1603. In cities, towns, and villages, families and communities lived their lives through times of great upheaval. In this comprehensive new history, Lucy Wooding lets their voices speak, exploring not just how monarchs ruled but also how men and women thought, wrote, lived, and died. We see a monarchy under strain, religion in crisis, a population contending with war, rebellion, plague, and poverty. Remarkable in its range and depth, Tudor England explores the many tensions of these turbulent years and presents a markedly different picture from the one we thought we knew.

Death, Power, and Apotheosis in Ancient Egypt uniquely considers how power was constructed, maintained, and challenged in ancient Egypt through mortuary culture and apotheosis, or how certain dead in ancient Egypt became gods. Rather than focus on the imagined afterlife and its preparation, Julia Troche provides a novel treatment of mortuary culture exploring how the dead were mobilized to negotiate social, religious, and political capital in ancient Egypt before the New Kingdom. Troche explores the perceived agency of esteemed dead in ancient Egyptian social, political, and religious life during the Old and Middle Kingdoms (c. 2700-1650 BCE) by utilizing a wide range of evidence, from epigraphic and literary sources to visual and material artifacts. As a result, Death, Power, and Apotheosis in Ancient Egypt is an important contribution to current scholarship in its collection and presentation of data, the framework it establishes for identifying distinguished and deified dead, and its novel argumentation, which adds to the larger academic conversation about power negotiation and the perceived agency of the dead in ancient Egypt.

Along with Mesopotamia, Egypt, and the Levant, Minoan Crete was one of the primary cultures of the prehistoric Mediterranean world. In this book, L. Vance Watrous offers an up-to-date overview of this important ancient society. Using archaeological evidence from palaces, houses, surveys,  caves, and mountain shrines, he describes and traces the development of Minoan Crete from the Neolithic era through the Late Bronze Age. Watrous also presents and interprets Minoan art works in a range of media, including fresco paintings, pottery, and seals, and explains how Minoan Crete affected the culture of classical Greece. Aimed at undergraduate and graduate students, this book can be used in courses on the ancient Mediterranean world and classical archaeology.

The ancient Near East is defined, for the purposes of this book, as the "cuneiform lands," the regions of the ancient world where the cuneiform script, written on clay tablets, was used as the most common medium for written communication. These lands comprise Mesopotamia (with its variously named regions: Sumer, Akkad, Babylonia, and Assyria); Syria, Elam (later known as Persia), and Anatolia. The three thousand years to be covered by this book - from around 3500 BCE, with the founding of the first Mesopotamian cities (which coincide with the invention of writing) to the conquest of the Near East by the Persian king Cyrus the Great in 539 BCE - encompass an era of remarkable innovation and achievement. Many of the creations of the people of the ancient Near East are still with us, from fundamental inventions such as the wheel and the plow to intellectual feats such as the inventions of astronomy, law, and diplomacy.The region is known as the "cradle of civilization" for good reason. Here, men and women first tried to live peacefully together in densely urban cities, and found ways, through law and custom, to thrive and prosper. The popular image of history as a story of progress from primitive barbarism to modern sophistication is completely belied by the study of the ancient Near East. For example, women had many rights and freedoms; they could own property, run businesses, and represent themselves in court. Diplomats traveled between the capital cities of major powers ensuring peace and friendship between the kings. Scribes and scholars studied the stars and could predict eclipses and the movements of the planets. These achievements were lost in subsequent centuries, only to be reborn in more modern times. Perhaps the most obvious legacy from the ancient Near East is seen in some of our units of measurement. The Mesopotamians invented a mathematical system based on the number 60, and all the 60-based units in our modern world (including seconds, minutes, and degrees) have come down, unaltered, directly from Mesopotamia. Taking a chronological view, the book will include what we know, ideas about what we don't yet know (but perhaps will in the future), evidence used for discerning the history of the region, and approaches taken to the evidence by scholars of the ancient Near East. Each chapter will focus on one or two archaeological sites that have contributed extensive evidence (both textual and archaeological) to our understanding of an era and expanding from that evidence to a broader view of the era as a whole.

How should articulations of blackness from the fifth century BCE to the twenty-first century be properly read and interpreted? This important and timely new book is the first concerted treatment of black skin color in the Greek literature and visual culture of antiquity. In charting representations in the Hellenic world of black Egyptians, Aithiopians, Indians, and Greeks, Sarah Derbew dexterously disentangles the complex and varied ways in which blackness has been co-produced by ancient authors and artists; their readers, audiences, and viewers; and contemporary scholars. Exploring the precarious hold that race has on skin coloration, the author uncovers the many silences, suppressions, and misappropriations of blackness within modern studies of Greek antiquity. Shaped by performance studies and critical race theory alike, her book maps out an authoritative archaeology of blackness that reappraises its significance. It offers a committedly anti-racist approach to depictions of black people while rejecting simplistic conflations or explanations.

The 2000-year story of Babylon sees it moving from a city-state to the centre of a great empire of the ancient world. It remained a centre of kingship under the empires of Assyria, Nebuchadnezzar, Darius, Alexander the Great, the Seleucids and the Parthians. Its city walls were declared to be a Wonder of the World while its ziggurat won fame as the Tower of Babel. Visitors to Berlin can admire its Ishtar Gate, and the supposed location of its elusive Hanging Garden is explained. Worship of its patron god Marduk spread widely while its well-trained scholars communicated legal, administrative and literary works throughout the ancient world, some of which provide a backdrop to Old Testament and Hittite texts. Its science also laid the foundations for Greek and Arab astronomy through a millennium of continuous astronomical observations. This accessible and up-to-date account is by one of the world's leading authorities.